A Painting a Day for better or worse

from left to right : pan pastel test; daily landscape III; Storms Come From the West
It’s a gray, high fog day and one that is god to beside working on projects and not really knowing what it looks like outside. Some good music going and a little creating in the studio…

Number III of the landscape series is done – a little different in all tones of reds…BUT I do have some news about work published on the Artistsnetwork.com. You can go to pastelblog.artistnetwork.com and see “Storms Come From the West” in their fall landscape section.

I tried some of the new Pan Pastels for fun. Worked on a little landscape with some cows (attached) on a piece of 400# Arches watercolour paper. Using the blending tools was a new concept as opposed to my finger, but my general impression is that these are a fun medium. They are less dusty it seems than the sticks and I am now going to try them on a piece of Art Spectrum paper that is more smooth, but has a tooth that is great for pastels. I may actually do my next “daily landscape” with the pans. I have heard the the pan pastels can be used successfully going from light to dark as well as the conventional dark to light and not end up with a muddy appearance. More on that later.


About bonnie griffith

I am a landscape artist who works in pastels, oils and acrylics. My work focuses on representational studies of the western US. I am basically self taught with lots of workshops and studies with several landscape artists such as Bruce Haughey and Clark Elster. I live in southwestern Idaho, am a native Montanan with a strong connection to the land. I spend as much time as I can in MT painting as well other parts of the northwest. I appreciate getting out in the field and working plein air because there is nothing like completing a painting in the true light of day and visually not being compromised by the use of a photo. In my work, my goal is to produce a piece of work that draws the viewer into the painting and challenges them to explore the scene; get a sense of the time of day, the temperature, the light or lack of. If I have gotten that viewer to step out of their reality and into that painting and enjoy it, then my work was accomplished as I wished. View all posts by bonnie griffith

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