a painterly weekend…

Yesterday and today new paintings have emerged from the series I am doing….but no digital images yet.

I am spending the weekend teaching a workshop on pastel technique to an incredible great bunch of ladies. They are a wonderful group to work with 0 receptive, energetic, great senses of humor and on and on. With any luck I will have convinced them to do the series of paintings as well! I love to teach – it makes me work hard at doing good demos and to put forth information to individuals who want to learn new things is a very rewarding experience. The studio at Bambi’s is wonderful…it sits out near fields and ponds and creeks with wild turkeys (well not so wild, I think, because Bambi feeds them, I am pretty sure!) meandering all over the yard and fields. I am looking forward to returning there tomorrow and work again in that surround.
Today’s image is not one of the series, but one that I did repeatedly on 5 kinds of paper to demonstrate the different look with each paper. And when I step back and look at them, I think the best look was on the Wallis paper. I did not do this little painting, however, on the ColorFix paper…I think it would have looks nearly the same as the Wallis. So I am thinking that the white Wallis paper really lends itself to clean and crisp paintings.
More tomorrow…


About bonnie griffith

I am a landscape artist who works in pastels, oils and acrylics. My work focuses on representational studies of the western US. I am basically self taught with lots of workshops and studies with several landscape artists such as Bruce Haughey and Clark Elster. I live in southwestern Idaho, am a native Montanan with a strong connection to the land. I spend as much time as I can in MT painting as well other parts of the northwest. I appreciate getting out in the field and working plein air because there is nothing like completing a painting in the true light of day and visually not being compromised by the use of a photo. In my work, my goal is to produce a piece of work that draws the viewer into the painting and challenges them to explore the scene; get a sense of the time of day, the temperature, the light or lack of. If I have gotten that viewer to step out of their reality and into that painting and enjoy it, then my work was accomplished as I wished. View all posts by bonnie griffith

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