Color Fields


Color fields was the name of a group show that I did one time; but certainly is appropriate for the Series of 100. One hundred little fields; thirty are finished, two of which have not yet been posted. I digitally manipulated the icy one in another view and may post it for fun…amazing what can be done with digital engineering! With the snowy one, I have seen that heavy frost that is so beautiful and dense on the trees – probably causing significant distress to the plant, but so pleasing to the eye. I achieved that by putting a dark purplish-brown down first, then giving it a mist of workable fix, on top of which the lighter colors were added. The beauty of Wallis paper with it’s tooth and the fix allows you to get that 3 dimensional effect that just pops!
The blue one…what can I say…just working monochromatically…gives a sense of twilight on snow.
My great uncle who was an accomplished watercolorist, did a winter scene of his home in the woods of Northern IL in the evening. It is all shades of blue with the \yellow glow emanating from the windows. It was done when I was a kid; was his Christmas card image and I have been in awe of that painting ever since I first saw it! I became the caretaker of his artwork after my mother passed away and it hangs in my home prominently in it’s original little frame and along with several other of his works. His work has served as an inspiration to me from early on.
happy painting…
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About bonnie griffith

I am a landscape artist who works in pastels, oils and acrylics. My work focuses on representational studies of the western US. I am basically self taught with lots of workshops and studies with several landscape artists such as Bruce Haughey and Clark Elster. I live in southwestern Idaho, am a native Montanan with a strong connection to the land. I spend as much time as I can in MT painting as well other parts of the northwest. I appreciate getting out in the field and working plein air because there is nothing like completing a painting in the true light of day and visually not being compromised by the use of a photo. In my work, my goal is to produce a piece of work that draws the viewer into the painting and challenges them to explore the scene; get a sense of the time of day, the temperature, the light or lack of. If I have gotten that viewer to step out of their reality and into that painting and enjoy it, then my work was accomplished as I wished. View all posts by bonnie griffith

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