Pastel Dust on Whidbey Island


5 days of nothing but painting, photographing, enjoying fellow artists on one of the prettiest islands in the northwest.  Whidbey  is an island you can reach via ferry from Mukilteo (near Everett and Edmonds, WA) on the south end or via Hwy 20 from the mainland through Anacortes and over the Deception Pass Bridge.

The event was the annual Northwest Pastel Society Paint Out organized by a couple of NPS members who took on a big project of finding suggested painting spots, dining, demonstrations by artists and lodging at Fort Casey.  Jan Wall and Karen Schroeder made the event what it was and by all testaments by attendees it was a success.

I coercer-ed my friend and fellow artist Lauri Borer into going and we had a great time exploring, painting, photographing and laughing.

It is a challenge to get out and do plein air work….the light changes quickly, there are bugs and nettles, there is wind and not all desired painting points are a “drive to.”  One morning we headed out and after not finding something that we wanted to paint at the suggested spot, came upon this hidden rhodie farm and 10 acres of gardens hidden away.  We hiked around the property which was beautiful and each settled on a spot to paint.  Later a few other artists found this spot as well.The rhodies were not blooming this time of year, but the other plants were providing the show.

We  visited the sites at the state parks and the reserves of Ebey’s Landing, the farms, the light house at Fort Casey, the towns of Coupeville, Langley and Oak Harbor.

Deception Pass points of interest were there to be painted – and we trekked out there early one morning only to be met with chilly winds so we elected to drive to Anacortes and down to Mount Vernon and introduce Laurie to Dakota Art Pastels Store.  After lugging around a full size French easel, I took the opportunity to buy a new easel for plein air work and that would lighten the load of packing  by some 10 pounds, at least.  Unfortunately, we did not stop back at Deception Pass because later we learned the weather moderated and painting was good.  Lesson learned…maybe not go racing out the door too early in the morning – OR – wait a bit at the destination – the weather might change!

    One other morning we woke to fog coming in from the west and it gently settled into one of the valleys near the Keystone Ferry…but not for long!        

It was great to spend time to get to know some fellow artists better and to watch their demos and learn how some make their own pastels, about an intense workshop for artists in NM, how they do an abstract composition and more.

It was a best of times with tons of photos and memories.  Do a paint out sometime if the opportunity comes your way…tips…pack light, make sure  you have bug spray, sun screen, attire for cool and hot conditions, condensed supplies, camera, water and a good buddy to share with!  happy painting…

About bonnie griffith

I am a landscape artist who works in pastels, oils and acrylics. My work focuses on representational studies of the western US. I am basically self taught with lots of workshops and studies with several landscape artists such as Bruce Haughey and Clark Elster. I live in southwestern Idaho, am a native Montanan with a strong connection to the land. I spend as much time as I can in MT painting as well other parts of the northwest. I appreciate getting out in the field and working plein air because there is nothing like completing a painting in the true light of day and visually not being compromised by the use of a photo. In my work, my goal is to produce a piece of work that draws the viewer into the painting and challenges them to explore the scene; get a sense of the time of day, the temperature, the light or lack of. If I have gotten that viewer to step out of their reality and into that painting and enjoy it, then my work was accomplished as I wished. View all posts by bonnie griffith

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